It is dawn at Bowila Wetland.
The rain falls with quiet persistence, turning reeds into silver threads. Birdsong is muted; the air heavy; the world half-asleep.
One lone bird watcher, braving the drizzle, scans the landscape—hoping to spot new arrivals from the north.
But what unfolds before him today is no tale of wings…It is a story of fur.
Through the rain’s shifting veil, a familiar figure appears—a Golden Jackal, lean and deliberate.
Its mate lies low nearby, hidden perfectly in tawny grass.
The restless partner roams, snout to the ground, its hunger unsoftened by the weather.
Even as the downpour thickens, they do not yield. They pace the embankment, their golden coats darkened by rain.
A glint catches one’s eye—a plastic cup, discarded, reeking faintly of something edible.
It sniffs, inserts its snout—and for a moment, the hunter wears a human-made muzzle.
Finding nothing, it shakes it off, leaping gracefully across the canal with its mate lagging behind.
The female halts. Her ears sharpen. A faint rustle betrays life beneath the earth.
She leaps—no luck.
Then—she digs.
Chunks of soil rain behind her hind legs.
Moments later—she pauses to listen—faint vibes from ground below sound promising than ever before.
With snarled canine linguistics, she alerts her mate that it is breakfast time.
With her mate lured in to close proximity for moral support, she digs fervently—this is really the business end.
Her entire body vanishes into the ground—into a very compromising position—only her tail twitching above the surface like a golden metronome.
For several feeding episodes, the item of prey reveals no visual confirmation to the observer.
Again, in the frenzy, the jackal seems swallowed by the earth.
Then she wriggles free—a mouse dangling from her jaws, its limp form a testament to the relentless efficiency of the wild.
The male steps forward, hopeful—but the meal is already claimed. At the Bowila buffet, it seems, ladies eat first.
As the pair settles, a new presence shuffles into view.
A juvenile Ruddy-breasted Crake—no more than six feet from the motionless observer.
Still too young to understand its own cautionary instincts, it struts about boldly,
apparently unaware that it is—a crake, for heaven’s sake!—and not meant to be socialising with us bipeds.
The birder watches, motionless, resisting temptation—for to ignore a crake at point-blank range is to invite the wrath of the Birding Gods.
But then, the marsh’s spell is broken.
Out of nowhere comes the electronic chime of the “Chune Paan” tuk-tuk—the roving bread seller, its tune echoing eerily across the wetland, that strange, human melody of commerce drifting into a world of predation.
The jackals pause—ears perked, eyes fixed—momentarily disoriented by this foreign intrusion into their ancient hunt.
Beyond them, life continues as if in another film entirely: children in crisp white uniforms walk briskly to school through the rain, heir laughter mingling with the tuk-tuk’s tune; and nearby, an office-bound lady hurries past, her high heels striking the tarmac with a rhythmic click—a sound that speaks of perfume and deadlines, of a city not far, but worlds away.
Here, in Bowila, the wild and the human coexist uneasily—the jackals and the crake, the bread tune and the raindrops, the hunter and the schoolchild.
And as the rain softens into mist, the pair of jackals disappears once more into the reeds—silent, soaked, and satisfied.
In this small pocket of Colombo’s suburban fringe,
life unfolds in layers—some civilised, some savage—all sharing the same rain, and the same morning light.
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